openutau/openutau

Open singing synthesis platform / Open source UTAU successor

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Summary Information

Updated 52 minutes ago
Added to GitGenius on September 16th, 2026
Created on November 27th, 2014
Open Issues & Pull Requests: 128 (+0)
GitHub issues: Enabled
Number of forks: 555
Total Stargazers: 4,313 (-1)
Total Subscribers: 70 (+0)

Repository Insights (GitGenius)

Median issue/PR response: 18.1 hours
Mean response time: 14.0 days
90th percentile: 25.6 days
Tracked items: 390

Most active contributors

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How this project is maintained

About 12% of issues opened in the past year have never received a reply. 100% of open issues come from outside the core team, so the backlog reflects real-world use rather than internal planning. 31% of tracked open issues have had no activity in three months. 80% of issues opened in the past year have been closed, leaving a working backlog.

Charts & Analytics

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Issue Activity (beta)

Open issues: 58
New in 7 days: 1
Closed in 7 days: 3
Avg open age: 147 days
Stale 30+ days: 35
Stale 90+ days: 20

Recent activity

Opened in 7 days: 1
Closed in 7 days: 2
Comments in 7 days: 2
Events in 7 days: 4

Top labels

  • no-issue-activity (272)
  • feature-request (53)
  • beta-bug (15)
  • stable-bug (13)
  • dev-bug (9)
  • duplicate (4)
  • invalid (3)
  • phonemizer (2)

Detailed Description

OpenUtau is an open source singing synthesis platform designed as a successor to UTAU. The project addresses the need for accessible vocal synthesis by providing a modern, cross-platform tool that allows users to create singing voice synthesis from phonetic input and musical notation. It works by taking note sequences and phonetic data, then synthesizing singing audio using various synthesis engines and voice banks that users can configure and extend.

The tool is suited for music producers, composers, and hobbyists who want to create vocal tracks without licensing restrictions or vendor lock-in. It serves projects ranging from indie music production to experimental audio work. OpenUtau targets users familiar with UTAU who seek a contemporary alternative with improved usability and cross-platform support, as well as newcomers to singing synthesis who prefer open source tooling.

Development activity shows consistent engagement across multiple areas. The project maintains active issue triage with regular responses to user reports. Pull requests receive review and integration at a steady pace, indicating ongoing code contribution and maintenance. The codebase sees regular commits addressing both features and stability. Documentation updates occur alongside code changes, keeping guidance aligned with the tool's evolution. The project demonstrates sustained attention to user-facing quality through bug fixes and incremental improvements rather than sporadic major releases.